My practice extends Ikebana into contemporary performance and installation. Exploring Ikebana as durational performance, I work with found objects, botanical matter, sound, and site-responsive environments to compose ephemeral structures that unfold through time, attention, and transformation. I approach the Ikebana composition as a temporal and spatial process shaped through performance. Movement, material transformation, and the environment become integral to my work, it evolves through impermanence, presence, and connection.