My practice extends Ikebana into contemporary performance and installation. I explore Ikebana as durational and spatial practice, working with found objects, botanical matter, sound, movement, and site-responsive environments to create ephemeral compositions that unfold through time, attention, and transformation. I approach each arrangement as a living process activated through performance. They evolve through material transformation, and the relationships between environment and audience. Embracing impermanence as both philosophy and approach, my practice invites audience to experience Ikebana as a shared encounter that continually explores our connection to nature, memory, and space.